12/17/2022 0 Comments Best clickrepair settings![]() ![]() This stuff goes for good money now if it's NOS stuff like the 881S, 681eee mk1 or mk2, 680EL or SL for the broadcast/dj's, 981HZS and LZS models The best Stanton stuff is the vintage stuff, the ones made in NY not FL although some FL models aren't a bad compromise as long as they aren't late FL models i.e. Stanton: Once the best and industry standard on which manufacturers would use to calibrate their equipment or check their test pressings with now a dead donkey owned by Gibson! Don't touch any modern Stanton product as it'll be sh*t. Nagaoka, never tried one but could be a potential option. Grado claims that shielding would distort the magnetic flux lines. Grados hum because their moving iron element, where the signal is generated, operates in a gap in their magnetic circuit.which is unshielded. Grado have a nice soft warm sound that's perfect for older LP's and sound great with Jazz but all Grado's HUM!!! The AT440MLa is one potential option and will mate well with the bog standard Technics arm. I tried the 2M Blue and I hated it :-DĪudio Technica is a potential option, they track very well but a bit bright. Tracking is important because dance music is cut very hot, if it can't track the over modulated records you'll just get a load of distortion and sibilance. This seems to be a fashion now days especially with lower end stuff it seems!!! I guess it sounds more exciting and gives vinyl a bit of "life" and "presence" but let me ask you, why do you buy studio monitors for? Do you want your phono cart to have it's own funky eq? You could tame it by fiddling with the input capacitance but it still won't track for shit The 2M Blue is a poor tracker and very bright, it's got an accented top end which was confirmed in reviews and technical tests. Ortofon are too bright and can't track for sh*t I'm sure they still do in terms of mic's but not in terms of a phono cartridges. I wouldn't touch Shure phono carts, that stuff is for old people who think Shure is a brand that still makes quality products. I'd recommend having a look at the Cambridge Audio 640p phono stage or the newer model what ever that is. I wouldn't recommend the DL-103 as it's a low output moving coil, you'll need step up transformers but it is a good phono cart and can actually be used to back cue too! It was made for broadcast applications in Japan and then became really popular with hi-fi people, it's one of the longest produced pieces of hi-fi out there and the basic model which is still sold today came out in 1962. worked at the Tower Records back then.Does the Orpheus have a way of setting the input levels/gains? If not you'll have the phono pre potentially overloading it's A-D depending on the pressing and phono cart output. Btw, I lived in Northridge back in the early 90s. Let me know if you hear any unwanted artifacts. I'd really like to hear your opinions on my sample since you don't seem too impressed with ClickRepair. Vidiot, I've heard lots of good stuff about the iZotope software so I'll see if there's a demo available and if I come into some extra cash, may pick it up. On some tracks, even a setting of 1 on ClickRepair will alter the sound noticeably but for most, I can't hear any effect if I get the settings right. ![]() ![]() My results really depend on the material though. So far, I've been really happy with ClickRepair. Many moons ago I used the declicking and denoising plugins in Wavelab. I've also noticed in the past that declicking software often has problems with acoustic guitar and removes elements of it. I figured it would make any alterations in the sound more obvious. I picked this excerpt because of the acoustic guitar and overall quietness of the track. ![]()
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